{"id":107,"date":"2011-01-01T23:06:04","date_gmt":"2011-01-01T22:06:04","guid":{"rendered":"https:\/\/www.chrenhart.eu\/2021\/?p=107"},"modified":"2021-06-27T12:27:16","modified_gmt":"2021-06-27T10:27:16","slug":"epitaph-fur-ovid-naso","status":"publish","type":"post","link":"https:\/\/www.chrenhart.eu\/2021\/2011\/01\/01\/epitaph-fur-ovid-naso\/","title":{"rendered":"Epitaph f\u00fcr Ovid Naso"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull has-primary-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-embed alignwide is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Epitaph f\u00fcr Ovid Naso (Teil 1)\" width=\"580\" height=\"435\" src=\"https:\/\/www.youtube.com\/embed\/LHQIpakEj_w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Epitaph f\u00fcr Ovid Naso | Hugo Wolf Quartett<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Epitaph f\u00fcr Ovid Naso<br>for string quartet (2011, revised 2014)<\/h4>\n\n\n\n<h6 class=\"wp-block-heading\">English<\/h6>\n\n\n\n<p>The five movements of my first string quartet \u00abEpitaph for Ovid Naso\u00bb blend landscapes, rhythms of archaic rites, the scent of Roman vine and nostalgia that is breaking through again and again for a tale from the times of empires long fallen apart. The figures coming into picture proclaim the melancholy falling on simple life like a heavy waft of mist. Furrowed by the unwrought verses of their austere daily routine, they uniformly and artlessly hammer out their rhythms in isolated spots from the amorphous desert backdrop. Time and again\u2014washed around by the surges of the sea\u2014their voices rise up from the bulge of yellowed memories.<\/p>\n\n\n\n<p>We are drawn into the sounds disgorged by Poseidon\u2018s abyss, and see \u00abon Tauris in the evening\u00bb a barbaric ritual, which ebbs away in a wild spree. At the end, we find our way back \u00abto that era\u00bb which seems to be shaped by a vague flurry of activity. We longingly cast a final look at Vienna, where, as we know, the world still perishes a little later.<\/p>\n\n\n\n<p>The string quartet was written in 2010\u201311 and was revised in 2014. The work was awarded the composition prize written out by jeuness, the Hugo Wolf Quartet and the Alban Berg Foundation.<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">German<\/h6>\n\n\n\n<p>Die f\u00fcnf S\u00e4tze meines ersten Streichquartetts \u00bbEpitaph f\u00fcr Ovid Naso\u00ab vermengen Landschaftsbilder, die Rhythmen archaischer Riten, den Duft nach r\u00f6mischen Wein und immer wieder durchbrechende Nostalgie zu einer Erz\u00e4hlung aus einer Zeit l\u00e4ngst verfallener Imperien. Die Figuren, die dabei auftreten geben von der Melancholie Kunde, die sich wie eine schwere Nebelschwade \u00fcber das einfache Leben senkt. Zerfurcht von den rohen Versen ihres kargen Alltags h\u00e4mmern sie ihre schlichten Rhythmen an vereinzelten Stellen im Gleichklang aus der amorphen W\u00fcstenkulisse heraus. Immer wieder von den Wogen der See umsp\u00fclt t\u00f6nen ihre Stimmen aus dem Wulst vergilbter Erinnerungen empor.<\/p>\n\n\n\n<p>Wir werden hineingezogen in die Kl\u00e4nge, die der Schlund Poseidons ausspuckt und sehen \u00bbabends auf Tauris\u00ab ein barbarisches Ritual, das in einem wilden Trinkgelage entschl\u00e4ft. Und wir finden am Ende \u00bbin diese Zeit\u00ab zur\u00fcck, um inmitten einer diffusen Hektik, die \u00bbdiese Zeit\u00ab pr\u00e4gt, einen letzten sehnsuchtsschwangeren Blick nach Wien zu werfen, wo die Welt bekanntlich immer noch ein bisserl sp\u00e4ter untergeht.<\/p>\n\n\n\n<p>Das Streichquartett entstand 2010\u20132011 und wurde 2014 revidiert. Das Werk wurde mit dem Kompositionspreis, ausgeschrieben von der Jeunesse, dem Hugo Wolf Quartett und der Alban-Berg-Stiftung, ausgezeichnet.<\/p>\n\n\n\n<div class=\"wp-block-group alignfull boxtxt has-accent-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>INSTRUMENTATION:<br>2 violins, viola, violoncello<\/p>\n\n\n\n<p>DURATION:<br>17 minutes<\/p>\n\n\n\n<p>PUBLISHED BY:<br><a href=\"https:\/\/www.universaledition.com\/christoph-renhart-7826\/works\/epitaph-for-ovid-naso-29914\" target=\"_blank\" rel=\"noreferrer noopener\">Universal Edition<\/a><\/p>\n\n\n\n<p>PREMIERE:<br>October 16, 2016&nbsp;\u2022 Vienna, Konzerthaus \u2022 Hugo Wolf Quartet \u2022 Sebastian G\u00fcrtler, volin \u2022 R\u00e9gis Bringolf, violin \u2022 Subin Lee, viola \u2022 Florian Berner, violoncello<\/p>\n\n\n\n<p>PERFORMANCES:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>November 14, 2016&nbsp;\u2022 Radio \u00d61, Konzert am Vormittag \u2022 Hugo Wolf Quartet \u2022 Sebastian G\u00fcrtler, volin \u2022 R\u00e9gis Bringolf, violin \u2022 Subin Lee, viola \u2022 Florian Berner, violoncello <\/li><li>March 5, 2017&nbsp;\u2022 Warsaw, Radio Polskie Studio W. Szpilman \u2022 Hugo Wolf Quartet \u2022 Sebastian G\u00fcrtler, volin \u2022 R\u00e9gis Bringolf, violin \u2022 Subin Lee, viola \u2022 Florian Berner, violoncello <\/li><li>May 4, 2017&nbsp;\u2022 Valetta, Palazzo Pereira \u2022 Baltic Neapolis Quartet <\/li><li>June 8, 2017&nbsp;\u2022 Polskie Radio Dwojka, Filharmonia Dw\u00f3jki \u2022 Hugo Wolf Quartet \u2022 Sebastian G\u00fcrtler, volin \u2022 R\u00e9gis Bringolf, violin \u2022 Subin Lee, viola \u2022 Florian Berner, violoncello<\/li><li>January 22, 2018&nbsp;\u2022 Radio \u00d61, Zeit-Ton \u2022 Hugo Wolf Quartet \u2022 Sebastian G\u00fcrtler, volin \u2022 R\u00e9gis Bringolf, violin \u2022 Subin Lee, viola \u2022 Florian Berner, violoncello<\/li><\/ul>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>for string quartet (2 vln, vla, vc, 2011\/2014)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[99,173,2],"tags":[59,18,85,126,110,71,106,102,107,125,120,67,108,44,32,104,103,105,109,68,33],"class_list":["post-107","post","type-post","status-publish","format-standard","hentry","category-chamber-music","category-ue","category-work","tag-59","tag-18","tag-85","tag-alban-berg-stiftung","tag-baltic-neapolis-quartet","tag-festival","tag-florian-berner","tag-hugo-wolf-quartett","tag-international-spring-orchestra-festival","tag-jeunesse","tag-kompositionspreis","tag-konzerthaus","tag-malta","tag-polskie-radio-dwojka","tag-radio-oe1","tag-regis-bringolf","tag-sebastian-gurtler","tag-subin-lee","tag-valetta","tag-wien","tag-zeitton"],"_links":{"self":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/comments?post=107"}],"version-history":[{"count":5,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/107\/revisions"}],"predecessor-version":[{"id":1622,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/107\/revisions\/1622"}],"wp:attachment":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/media?parent=107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/categories?post=107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/tags?post=107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}