{"id":42,"date":"2016-11-11T20:53:00","date_gmt":"2016-11-11T19:53:00","guid":{"rendered":"http:\/\/www.chrenhart.eu\/2021\/?p=42"},"modified":"2024-05-30T00:10:30","modified_gmt":"2024-05-29T22:10:30","slug":"echos-eloquents","status":"publish","type":"post","link":"https:\/\/www.chrenhart.eu\/2021\/2016\/11\/11\/echos-eloquents\/","title":{"rendered":"\u00c9chos \u00e9loquents"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide has-text-color has-background has-link-color wp-elements-504fba08dd9794b46f5a86049211174b\" style=\"color:#7d9980;background-color:#a19587\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group alignwide has-primary-color has-background-background-color has-text-color has-background has-link-color wp-elements-c62fca40e59c1c4685e3477efcc0c3ed\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed alignwide is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Christoph Renhart - Echos Eloquents - [&#039;tactus] MUSIQUES NOUVELLES\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/9Wdp-ByEooQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">\u00c9chos \u00e9loquents | Ensemble Musiques Nouvelles | Jean-Paul Dessy (conductor)<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">\u00c9chos \u00e9loquents<br>for seven players (2016)<br>version pour Mons for nine players (2019)<\/h4>\n\n\n\n<h6 class=\"wp-block-heading\">English<\/h6>\n\n\n\n<p>Let us try to figure out the shape of an echo: What is said by an echo is what it does not articulate. The information about the echo itself is to be derived from what is swallowed by it or from the way how the reverberation is distorting the original message. An echo itself might be contoured as the phantasmorgia of a reality of which we might only guess its silhouettes by noticing a deviation to a formerly known content.<\/p>\n\n\n\n<p>\u00c9chos \u00e9loquents tries to portrait this phenomenon in a sonic way. Sounds are being triggered by preceding sounds and sometimes mirrored in a very blurred and hardly recognisable way. Listening to music is similar to a memory game: We strive towards understanding a context by re-cognizing a theme, a chord, a gesture or whatever else. If someone alters the memory cards while we are playing, it starts to get exciting as we might wish to find out, who caused the mess.<\/p>\n\n\n\n<p>The work itself is a kind of an echo to my work miroirs noirs which pictures another way of describing the same phenomenon by a different orchestration. Both work spoon their musical materials\u2014like two sister-volcanos\u2014from one magma chamber.<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">German<\/h6>\n\n\n\n<p>Was aus dem Echo spricht ist, was es nicht sagt, was es verschluckt, was es zerdehnt, was verhallt. Das Zerrbild einer Wirklichkeit, das verr\u00e4terisch die Umrisse jener Oreade erahnen l\u00e4sst, die, l\u00e4ngst Stein geworden, alles Gesagte verschlingt um es wieder neu auszusprechen. So vielsagend ihre Laute sind, und zugleich so nichtssa-gend, so sehr h\u00f6ren wir in diesen Klang hinein, um darin irgendetwas zu finden.<\/p>\n\n\n\n<p>\u00c9chos \u00e9loquents spinnt sich als Dialog zwischen Gesagtem und Zur\u00fcckgesagtem durch die stumme Kulisse der Zeit fort. Der Sprechende findet im Wider-hall die Resonanz des Findenden, steigert sich in seine aufschaukelnden Worte hinein, um sie am Ende zu verlieren, um sprachlos zur\u00fcck zu bleiben.<\/p>\n\n\n\n<p>Das Werk selbst ist ein Echo auf mein neues Werk miroirs noirs, welches das dazu parallele Ph\u00e4nomen nicht spiegelnder Spiegel thematisiert. Beide Werke sch\u00f6pfen ihr Material, wie zwei verschwisterte Vulkane, aus einer Magmakammer.<\/p>\n\n\n\n<div class=\"wp-block-group alignwide boxtxt has-accent-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>INSTRUMENTATION:<br>Flute, clarinet in Bb (also bass clarinet), percussion (1 player), piano, violin, viola, violoncello<br>Version pour Mons: + trombone and guitar<\/p>\n\n\n\n<p>PERCUSSION INSTRUMENTS:<br>bass drum, tam tam, xylophone, glockenspiel, vibraphone, gong tuned C, tubular bells<\/p>\n\n\n\n<p>DURATION:<br>11 minutes<\/p>\n\n\n\n<p>PUBLISHED BY:<br><a href=\"https:\/\/www.universaledition.com\/christoph-renhart-7826\/werke\/echos-eloquents-29913\" target=\"_blank\" rel=\"noreferrer noopener\">Universal Edition<\/a><\/p>\n\n\n\n<p>PREMIERE:<br>November 21, 2016&nbsp;\u2022 Graz, Minoritensaal \u2022 Schallfeld Ensemble \u2022 Leonhard Garms, conductor<\/p>\n\n\n\n<p>PERFORMANCES:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>November 30, 2019&nbsp;\u2022 Mons, Arsonic \u2022 Ensemble Musiques Nouvelles \u2022 Jean-Paul Dessy, conductor<\/li>\n\n\n\n<li>April 29, 2023 \u2022 Seoul, Seoul Arts Ceneter \u2022 ensemble blank \u2022 Jaehyuck Choi, conductor<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<p>, <\/p>\n","protected":false},"excerpt":{"rendered":"<p>for seven players (2016): flute, clarinet in Bb (also bass clarinet), percussion (1 player), piano, violin, viola, violoncello;<br \/>\nversion pour Mons (2019): + trombone and guitar<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[23,173,2],"tags":[60,59,7,57,11,51,54,53,56,52,55,58,50],"class_list":["post-42","post","type-post","status-publish","format-standard","hentry","category-ensemble","category-ue","category-work","tag-tactus","tag-59","tag-7","tag-arsonic","tag-belgium","tag-ensemble-musiques-nouvelles","tag-graz","tag-jean-paul-dessy","tag-kultum","tag-leonhard-garms","tag-minoritensaal","tag-mons","tag-schallfeld-ensemble"],"_links":{"self":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/comments?post=42"}],"version-history":[{"count":15,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/42\/revisions"}],"predecessor-version":[{"id":2596,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/42\/revisions\/2596"}],"wp:attachment":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/media?parent=42"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/categories?post=42"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/tags?post=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}