{"id":45,"date":"2015-01-01T20:59:31","date_gmt":"2015-01-01T19:59:31","guid":{"rendered":"http:\/\/www.chrenhart.eu\/2021\/?p=45"},"modified":"2021-06-27T12:20:34","modified_gmt":"2021-06-27T10:20:34","slug":"erythraean-fields","status":"publish","type":"post","link":"https:\/\/www.chrenhart.eu\/2021\/2015\/01\/01\/erythraean-fields\/","title":{"rendered":"Erythraean Fields"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Erythraean Fields<br>for mezzo-soprano and ensemble (2014)<\/h4>\n\n\n\n<p>The five songs for mezzo-soprano and ensemble were composed in 2014. Fragments taken from Jakob Reichs\u00f6llner\u2019s poem Fiebertr\u00e4ume \u2014 \u00abdeliriums\u00bb \u2014 form the textual basis of the songs. Erythraean Fields is an orchestrated version of my work Farben des Mohns for mezzo-soprano and piano, composed previously in 2014.<\/p>\n\n\n\n<p>It was freely transformed for a broader orchestration, including the traditional Chinese instruments Sheng, Pipa and Erhu. I attempted not to make the ensemble sound particularly Chinese, but to aim at finding new shades of orchestral colours within my very own music.<\/p>\n\n\n\n<p>The work was commissioned by Mrs. Ailin Huang and the association &#8220;Internationale Musikbr\u00fccke&#8221;.<\/p>\n\n\n\n<div class=\"wp-block-group alignfull boxtxt has-accent-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>INSTRUMENTATION:<br>mezzo-soprano, flute, sheng, bass clarinet, bassoon, percussion (1 player), piano, pipa, erhu, viola, violoncello<\/p>\n\n\n\n<p>PERCUSSION INSTRUMENTS:<br>large tam-tam, bass drum, wood blocks (three pitches), crotales, tubular bells, vibraphone<\/p>\n\n\n\n<p>DURATION:<br>14 minutes<\/p>\n\n\n\n<p>PERFORMANCE MATERIAL:<br>info@chrenhart.eu<\/p>\n\n\n\n<p>PREMIERE:<br>April 20, 2015&nbsp;\u2022 Graz, Helmu List Halle \u2022 Shanghai Sinfonietta \u2022 Zhang Liang, conductor \u2022 Annette Sch\u00f6nm\u00fcller, mezzo-soprano<\/p>\n\n\n\n<p>RECORDING:<br>ORF \u2022 info@chrenhart.eu<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>for mezzo-soprano and ensemble (2014) flute, sheng, bass clarinet, bassoon, percussion (1 player), piano, pipa, erhu, viola, violoncello<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[23,24,2],"tags":[14,62,54,65,66,61,63,64],"class_list":["post-45","post","type-post","status-publish","format-standard","hentry","category-ensemble","category-vocal","category-work","tag-14","tag-annette-schoenmueller","tag-graz","tag-helmut-list-halle","tag-internationale-musikbruecke","tag-jakob-reichsoellner","tag-shanghai-sinfonietta","tag-zhang-linag"],"_links":{"self":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":4,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/45\/revisions"}],"predecessor-version":[{"id":1609,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/45\/revisions\/1609"}],"wp:attachment":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/media?parent=45"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/categories?post=45"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/tags?post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}