{"id":9,"date":"2019-08-11T18:07:43","date_gmt":"2019-08-11T16:07:43","guid":{"rendered":"http:\/\/www.chrenhart.eu\/2021\/?p=9"},"modified":"2021-06-27T12:12:55","modified_gmt":"2021-06-27T10:12:55","slug":"a-manifesto-mill","status":"publish","type":"post","link":"https:\/\/www.chrenhart.eu\/2021\/2019\/08\/11\/a-manifesto-mill\/","title":{"rendered":"A Manifesto Mill"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">A Manifesto Mill<br>for symphonic orchestra (2019)<\/h4>\n\n\n\n<p>A Manifesto Mill is the orchestrated and extended version of my work Catalogue des Arts et M\u00e9tiers which was awarded the title recommended work at the 66th International Rostrum of Composers in 2019. The version for orchestra was written in summer 2019 within the framework of [\u2018tactus] Young Composers Forum and recorded by the Brussels Philharmonic at the Flagey studios in Brussels in November 2019.<\/p>\n\n\n\n<p>About the work: One of Paris&#8217;s most exciting places is sited in the Rue R\u00e9aumur 60. The Mus\u00e9e des Arts et M\u00e9tiers is not only a harbourage to many technical exhibits and industrial products\u2014it is also the stage in Eco&#8217;s grand novel Il pendolo di Foucault. A venue full of stories and a panopticon of ideas that once became manifest.<\/p>\n\n\n\n<p>My work revisits the yellowed tales that might be borne in all those objects, cars, tins, rack-wheels, periscopes and displays them in a \u2018sonic catalogue\u2019. In three parts that are each named after a raw material, we hear about the colourful world of metals\u2014bunte Welt der Metalle, about the sound of silk\u2014Klang nach Seide and about the imperial grace of marble. Meanwhile, hammering rhythms are advancing\u2014naturalistically contouring monotonic manufacturing processes. Yet, they seem to keep an ironising distance to the delicate and occasionally Mannerist passages at the same moment. Both idylls are delusions and turn out to be idealised illustrations. One could easily get bedazzled by the goldsmithery cast in the sounds of the celesta and sucked into the swirls of the marching tuttis. On that note everything is bound to end in smoke. An ignis fatuus evaporating.<\/p>\n\n\n\n<div class=\"wp-block-group alignfull boxtxt has-accent-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>INSTRUMENTATION:<br>picc-2fl-2ob-ehn-cl(Bb)-cl(Eb)-bcl-2bsn-cbsn&#8211;4-3-3-1&#8211;timp-3perc-hrp-pno(cel)&#8211;14-12-10-8-6<\/p>\n\n\n\n<p>PERCUSSION INSTRUMENTS:<br>anvil, bass drum, bell plates, glockenspiel, gongs, large, suspended cymbal, large tam-tam, snare drum, tubular bells, vibraphone, wood blocks, xylophone<\/p>\n\n\n\n<p>DURATION:<br>11 minutes<\/p>\n\n\n\n<p>PERFORMANCE MATERIAL:<br>info@chrenhart.eu<\/p>\n\n\n\n<p>PREMIERE:<br>November 25, 2019 (recorded)&nbsp;\u2022 Brussels, Flagey \u2022 Brussels Philharmonic \u2022 Brad Lubman, conductor \u2022<\/p>\n\n\n\n<p>RECORDING:<br>mailto:info@chrenhart.eu<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>for orchestra (2019) \u2022 Intrumentation: picc-2fl-2ob-ehn-cl(Bb)-cl(Eb)-bcl-2bsn-cbsn\u20134-3-3-1\u2013timp-3perc-hrp-pno(cel)\u201314-12-10-8-6<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[3,2],"tags":[60,7,11,9,12,10,13],"class_list":["post-9","post","type-post","status-publish","format-standard","hentry","category-orchestra","category-work","tag-tactus","tag-7","tag-belgium","tag-brad-lubman","tag-brussels","tag-brussels-philharmonic","tag-flagey"],"_links":{"self":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/9","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/comments?post=9"}],"version-history":[{"count":4,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/9\/revisions"}],"predecessor-version":[{"id":1595,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/posts\/9\/revisions\/1595"}],"wp:attachment":[{"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/media?parent=9"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/categories?post=9"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chrenhart.eu\/2021\/wp-json\/wp\/v2\/tags?post=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}