for mixed choir (SS-AA-TT-BB, 2018)
l’oued de la Naïade
for violin, violoncello and piano (2018)
for ensemble (2017/2018) • Instrumentation: 1-1-2(Ebcl;bcl)-1–1-1-1-0–3perc-hrp-pno(cel)–speaker–str-(min-1-1-1-1-1)
Marley’s Ghost
for baritone and piano (2017)
Échos éloquents
for seven players (2016): flute, clarinet in Bb (also bass clarinet), percussion (1 player), piano, violin, viola, violoncello;
version pour Mons (2019): + trombone and guitar
Interview
An interview in German about the award-winning string quartet «Epitaph for Ovid Naso» for the Jeunesse.
for 10 players (2016): flute, clarinet in Bb (bass clarinet), horn, percussion (1 player), piano, pipa, erhu (or: violin), violin, viola, violoncello
L’isola morta
for orchestra (2016) • Instrumentation: 2-2-2(bcl;Ebcl)-2–4-2-2-0–timp-2perc-hrp-pno(cel)–10-8-6-4-3
for orchestra (2016) • Instrumentation: 2-2-2-2–2-2-0-0–timp–8-6-4-2-1
for mezzo-soprano and ensemble (2014): flute, bassett horn (alternatively: clarinet in Bb doubling bass clarinet), bassoon, percussion (1 player), harp, piano, violin, viola, violoncello